His shop is thought to have greatly influenced the aesthetic interests of local patrons. S54 1793) and Thomas Hope’s Household Furniture and Interior Decoration (1807). ![]() Phyfe’s greatest contribution to the industry was perhaps his role in introducing the city to a unique blend of the English Neoclassical and Regency styles-found in design books such as Thomas Sheraton’s The Cabinet-Maker and Upholsterer’s Drawing-Book (1793 NK2229. A watercolor ( 22.28.1) rendering of Phyfe’s operation illustrates the extent of his production capabilities, which many of New York’s wealthy residents frequented for their furnishing needs. Over the next two decades, Phyfe purchased a number of properties on Fulton Street ( ) near City Hall and New York’s most fashionable shopping destinations to house his manufactory and wareroom. By 1800, he had established himself as a cabinetmaker on the move. He settled with his family in Albany before relocating to New York City in 1791. Phyfe came to the United States from Scotland in 1784. ![]() ![]() Americans throughout the young nation considered their work to be the pinnacle of taste and sophistication. Both immigrant craftsmen, they established a distinctive New York style of cabinetmaking that incorporated contemporary European design. During the first decades of the nineteenth century, Duncan Phyfe and Charles-Honoré Lannuier were the acknowledged leaders of the New York furniture trade.
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